Timmy made this.
If you don’t get it, you’re missing two great references.
Adding an amiable epilogue to one of the most public contract disputes in the history of the music business, Prince and Warner Bros. Records have come to terms on a global licensing partnership. Th…
I have waited for this day literally for years. I’ve even had fan-made deluxe editions of Prince’s albums, ripped from old vinyl, cassettes and God knows what bootlegs because of how much great music had been left unavailable by his attitude toward his Warner material. This is so beyond overdue; perhaps it will finally prompt a major reconsideration of Prince as one of the few true geniuses of pop music. There’s been a slow recognition of his status in recent years but I still feel like so many my age only know him basically from Chappelle’s parody and don’t realize what a gold mine of music they’re missing out on.
"And is Chaplin—comedy? No: he is Chaplin, pure and simple; a unique phenomenon, never to be repeated. He is unadulterated hyperbole; but above all he stuns us at every moment of his screen existence with the truth of his hero’s behavior. In the most absurd situation Chaplin is completely natural; and that is why he is funny."
"At his best, and Chaplin remained at his best for a long time, he was the greatest comedian that ever lived."
"My religion is cinema. I believe in Charlie Chaplin…"
"He is beyond praise because he is the greatest of all. What else can one say? The only filmmaker, anyway, to whom one can apply without misunderstanding that very misleading adjective, ‘humane’… Today one says Chaplin as one says Da Vinci—or rather Charlie, like Leonardo."
"The master of masters, the filmmaker of filmmakers, for me is still Charlie Chaplin. He has done everything in his films—script, direction, setting, production, performance and even the music… His films are not only examples of perfect unity, but all his work is one. One may say indeed of Chaplin that he has made only one film and that every facet of that film is a different enactment of the same profession of faith."
"All Chaplin’s early films assured me that the comedy can say in a grotesque way much more about people’s characters than serious films, which after a certain time fade away and became ridiculous. Good comedy is immortal."
"When I was young, the idea of an orgy was tremendously exciting. Charlie Chaplin once organized one in Hollywood for me and two Spanish friends, but when the three ravishing young women arrived from Pasadena, they immediately got into a tremendous argument over which one was going to get Chaplin, and in the end all three left in a huff."
"Last year I went to the Cannes Film Festival and met Charles Chaplin. They showed his works. I was deeply impressed by his greatness. His films, his methods and content, are modern and so contemporary; he is a great genius."
"[Did other filmmakers teach you anything?] There was one, an old man whom I had the fortune to meet very old, Charlie Chaplin; he told me that everyone could do this job, but that it is very demanding… He was the only guy who you couldn’t see in bars, nightclubs, or at receptions. He told me one had to stay at home and work…”
Pier Paolo Pasolini
"You can always feel underneath my love for Dreyer, Mizoguchi and Chaplin… I feel this mythic epicness in both Dreyer and Mizoguchi and Chaplin: all three see things from a point of view which is absolute, essential and in a certain way holy, reverential."
"If there is any name which can be said to symbolize cinema—it is Charlie Chaplin… I am sure Chaplin’s name will survive even if the cinema ceases to exist as a medium of artistic expression. Chaplin is truly immortal."
"If something is really happening on the screen, it isn’t crucial how it’s shot. Chaplin had such a simple cinematic style that it was almost like I Love Lucy, but you were always hypnotized by what was going on, unaware of the essentially non-cinematic style. He frequently used cheap sets, routine lighting and so forth, but he made great films. His films will probably last longer than anyone else’s.”
Vittorio De Sica
"Truly good films—like Chaplin’s—should stimulate as well as soothe, should appeal to the mind as well as to the senses, should kindle thought as well as the emotions."
Afraid mine’s much the same:
2. The Passion of Joan of Arc
3. Day of Wrath
I still need to see Gertrud and a lot of his silents, but I’ve yet to see anything less than great from him.
1. Romancing in Thin Air
3. Running on Karma
Happy Birthday Edgar Wright. *sniffs* My baby is all grown up.
Happy 40th birthday to Edgar Wright, one of the best English-language directors of his generation.
Put a director in my ask box and I’ll give you my top 3 films from them:
Hey, I’ll do this too.
"I was a woman with a plan. I knew the only thing, that could really stopped me, in my opinion, was to fall in love.
I went in, at lunch, to put my books in the locker and I got to the doorway and … I saw John Cassavetes, and I thought : oh, oh damn! No, no, no. No!
That’s just exactly what I don’t want.”
Gena Rowlands on her first meeting with John Cassavetes
“Then, last year, while on a YouTube search, I found a fragment of what purported to be a never broadcast BBC interview of Ford from 1968. I recognized it instantly as the interview on which I had worked. The video looked like uncorrected, raw dailies; I could believe it had never been broadcast, although Joseph McBride says he saw a finished version titled ‘My Name is John Ford: I Make Movies.’ Here is the only fragment I have found, about 10 minutes. It has bad color, goes to B/W, jump cuts, and has video breakup from the transfer just at the beginning of the clip. But, yes, it is pure John Ford.” —My Morning with John Ford: Through a Pilsner Glass
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(to Ian McKellen) You were saying a dream of yours is that you wanted to host a show like this.
I just smiled so fast i pulled a muscle in my jaw
I’M NOT EVEN IN THE FANDOM AND I’M DYING
|—||Rainer Werner Fassbinder, The Anarchy of the Imagination: Interviews, Essays, Notes (via seen-said)|